Times & Tickets
IFF - There's Still Tomorrow at Roxy Cinema
IFF - There's Still Tomorrow
SAT 9 NOV
Coming Soon to
Roxy Cinema
Presented by Rialto Channel
Preceded by Short Film Maunga Cassino
There’s Still Tomorrow broke Box-Office records in Italy, beating Barbie and Oppenheimer for excellent reason. Writer, actor, and director Paola Cortellesi blends humour with charm and drama with social history, creating a small modern-day masterpiece. Its themes are very contemporary while drawing on the rich wealth of Italian cinema history. It’s 1946 in Rome, we follow Delia, a woman who cares for everybody: her children, her ailing father-in-law and her rough, violent husband. Delia somehow continues to dream and remain upbeat while working multiple jobs and fulfilling everyone’s expectations but her own. But in Post-war Italy, Delia senses that change is in the air. She will seize the day for herself and for her daughter’s future. The mix of drama and effervescent levity has had a huge resonance in Italy. There’s Still Tomorrow is a film that, in style and intent, could only come from Italy, reminding us of the power, beauty and potential of Cinema. - Paolo Rotondo
Awards / Premi
Winner / Film of the year. Italian National Syndicate of Film Journalists
Winner / Special Jury Prize, Audience Award, Best Debut film Award. Rome Film Festival
Fun, and filled with interesting directorial choices from an extremely clever director matched by a perfect cast: one of the best films of the year in Italian cinema. - Valentina Ariete. Movieplayer.
The film — which manages to be both heart-wrenching and uplifting Elisabetta Povoledo New York Times
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Preceded by Short Film Maunga Cassino
There’s Still Tomorrow broke Box-Office records in Italy, beating Barbie and Oppenheimer for excellent reason. Writer, actor, and director Paola Cortellesi blends humour with charm and drama with social history, creating a small modern-day masterpiece. Its themes are very contemporary while drawing on the rich wealth of Italian cinema history. It’s 1946 in Rome, we follow Delia, a woman who cares for everybody: her children, her ailing father-in-law and her rough, violent husband. Delia somehow continues to dream and remain upbeat while working multiple jobs and fulfilling everyone’s expectations but her own. But in Post-war Italy, Delia senses that change is in the air. She will seize the day for herself and for her daughter’s future. The mix of drama and effervescent levity has had a huge resonance in Italy. There’s Still Tomorrow is a film that, in style and intent, could only come from Italy, reminding us of the power, beauty and potential of Cinema. - Paolo Rotondo
Awards / Premi
Winner / Film of the year. Italian National Syndicate of Film Journalists
Winner / Special Jury Prize, Audience Award, Best Debut film Award. Rome Film Festival
Fun, and filled with interesting directorial choices from an extremely clever director matched by a perfect cast: one of the best films of the year in Italian cinema. - Valentina Ariete. Movieplayer.
The film — which manages to be both heart-wrenching and uplifting Elisabetta Povoledo New York Times
Presented by Rialto Channel
Preceded by Short Film Maunga Cassino
There’s Still Tomorrow broke Box-Office records in Italy, beating Barbie and Oppenheimer for excellent reason. Writer, actor, and director Paola Cortellesi blends humour with charm and drama with social history, creating a small modern-day masterpiece. Its themes are very contemporary while drawing on the rich wealth of Italian cinema history. It’s 1946 in Rome, we follow Delia, a woman who cares for everybody: her children, her ailing father-in-law and her rough, violent husband. Delia somehow continues to dream and remain upbeat while working multiple jobs and fulfilling everyone’s expectations but her own. But in Post-war Italy, Delia senses that change is in the air. She will seize the day for herself and for her daughter’s future. The mix of drama and effervescent levity has had a huge resonance in Italy. There’s Still Tomorrow is a film that, in style and intent, could only come from Italy, reminding us of the power, beauty and potential of Cinema. - Paolo Rotondo
Awards / Premi
Winner / Film of the year. Italian National Syndicate of Film Journalists
Winner / Special Jury Prize, Audience Award, Best Debut film Award. Rome Film Festival
Fun, and filled with interesting directorial choices from an extremely clever director matched by a perfect cast: one of the best films of the year in Italian cinema. - Valentina Ariete. Movieplayer.
The film — which manages to be both heart-wrenching and uplifting Elisabetta Povoledo New York Times
Preceded by Short Film Maunga Cassino
There’s Still Tomorrow broke Box-Office records in Italy, beating Barbie and Oppenheimer for excellent reason. Writer, actor, and director Paola Cortellesi blends humour with charm and drama with social history, creating a small modern-day masterpiece. Its themes are very contemporary while drawing on the rich wealth of Italian cinema history. It’s 1946 in Rome, we follow Delia, a woman who cares for everybody: her children, her ailing father-in-law and her rough, violent husband. Delia somehow continues to dream and remain upbeat while working multiple jobs and fulfilling everyone’s expectations but her own. But in Post-war Italy, Delia senses that change is in the air. She will seize the day for herself and for her daughter’s future. The mix of drama and effervescent levity has had a huge resonance in Italy. There’s Still Tomorrow is a film that, in style and intent, could only come from Italy, reminding us of the power, beauty and potential of Cinema. - Paolo Rotondo
Awards / Premi
Winner / Film of the year. Italian National Syndicate of Film Journalists
Winner / Special Jury Prize, Audience Award, Best Debut film Award. Rome Film Festival
Fun, and filled with interesting directorial choices from an extremely clever director matched by a perfect cast: one of the best films of the year in Italian cinema. - Valentina Ariete. Movieplayer.
The film — which manages to be both heart-wrenching and uplifting Elisabetta Povoledo New York Times
IFF - There's Still Tomorrow
SAT 9 NOV
Coming Soon to
Roxy Cinema
Presented by Rialto Channel
Preceded by Short Film Maunga Cassino
There’s Still Tomorrow broke Box-Office records in Italy, beating Barbie and Oppenheimer for excellent reason. Writer, actor, and director Paola Cortellesi blends humour with charm and drama with social history, creating a small modern-day masterpiece. Its themes are very contemporary while drawing on the rich wealth of Italian cinema history. It’s 1946 in Rome, we follow Delia, a woman who cares for everybody: her children, her ailing father-in-law and her rough, violent husband. Delia somehow continues to dream and remain upbeat while working multiple jobs and fulfilling everyone’s expectations but her own. But in Post-war Italy, Delia senses that change is in the air. She will seize the day for herself and for her daughter’s future. The mix of drama and effervescent levity has had a huge resonance in Italy. There’s Still Tomorrow is a film that, in style and intent, could only come from Italy, reminding us of the power, beauty and potential of Cinema. - Paolo Rotondo
Awards / Premi
Winner / Film of the year. Italian National Syndicate of Film Journalists
Winner / Special Jury Prize, Audience Award, Best Debut film Award. Rome Film Festival
Fun, and filled with interesting directorial choices from an extremely clever director matched by a perfect cast: one of the best films of the year in Italian cinema. - Valentina Ariete. Movieplayer.
The film — which manages to be both heart-wrenching and uplifting Elisabetta Povoledo New York Times
